Here's a surprisingly simple way to construct a diminished scale using a dominant seventh arpeggio and related approach tones. First, start with a dominant seventh arpeggio. We'll use a Bb7 arpeggio as an example. The notes of a Bb7 are Bb (root), D (3rd), F (5th) and Ab (7th). Bb7 Arpeggio Next, add one approach… Continue reading A Simple Way to Construct a Diminished Scale
Tag: music theory
Two Diminished Scale Exercises
A diminished scale is an eight-note scale, or octatonic scale, made up of a series of alternating whole steps and half steps from the starting pitch. One way to make sense of these scales is to use a diminished 7th arpeggio as their foundation. The Eo7 arpeggio below has the notes E, G, Bb &… Continue reading Two Diminished Scale Exercises
How To Create A Blues Turnaround
A turnaround is a short chord progression that takes you back to the start of a song, a solo section or even takes you to a new key. Sometimes they are used as an introduction or an ending to a song. The chords of a turnaround range from simple to complicated, but all turnarounds are… Continue reading How To Create A Blues Turnaround
Study in Tenths
Tenths-a third plus an octave-can add an extra dimension to a composition by imparting depth and emotion to a melody or bass line. Tenths can even bring life and energy to a simple scale. Try playing this E major scale harmonized with parallel tenths. The upper notes add a bit of color without obscuring the… Continue reading Study in Tenths
Jazz Waltz for Guitar
This jazzy tune in 3/4 features a simple melody supported by some rich extended and altered chords. The pedal E in the lower voice in the beginning provides a measure-level pulse, but also creates some extra dissonance that obscures the harmony. Can you name the chord in the first measure? Maybe it's an Ebmb5#7/E (yikes!)… Continue reading Jazz Waltz for Guitar