music theory, scales, Theory

A Simple Way to Construct a Diminished Scale

Here's a surprisingly simple way to construct a diminished scale using a dominant seventh arpeggio and related approach tones. First, start with a dominant seventh arpeggio. We'll use a Bb7 arpeggio as an example. The notes of a Bb7 are Bb (root), D (3rd), F (5th) and Ab (7th). Bb7 Arpeggio Next, add one approach… Continue reading A Simple Way to Construct a Diminished Scale

Uncategorized

Eight Octatonic Studies

Eight Octatonic Studies for Solo Guitar by Ken Pasciak Inspired by Toru Takemitsu and Leo Brouwer, Eight Octatonic Studies features eight studies for classical or electric guitar. Each study explores the expressive potential of an octatonic collection (also referred to as an octatonic scale or diminished scale). Studies I, IV and VI feature ostinato patterns that support evocative melodies.… Continue reading Eight Octatonic Studies